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She lifts her luminous eyes to his, and regards him fixedly as she speaks, full of hopeful excitement. Her eyes have always a peculiar fascination of their own, apart from the rest of her face. Once looking at her, as though for the first time impressed with this idea, Geoffrey had said to her, "I never look at your eyes that I don't feel a wild desire to close them with a kiss." To which she had made answer in her little, lovable way, and with a bewitching glance from the lovely orbs in question, "If that is how you mean to do it, you may close them just as often as ever you like." "I shall do only what you wish," returns he, chivalrously, arranging the cushion that adorns the back of her chair. "Where are people when they are not at home?" asks Mona, simply..
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"Perhaps, as you have been so good at your first guess you will try again," says Mona, still addressing Nicholas, and speaking in a tone of unusual light-heartedness, but so standing that no one can see why her hands are so persistently clasped behind her back. "Now tell me who I was with." That he—who has known so many seasons, and passed through the practised hands of some of the prettiest women this world can afford, heart-whole, and without a scratch—should fall a victim to the innocent wiles of a little merry Irish girl of no family whatever, seems too improbable even of belief, however lovely beyond description this girl may be (and is), with her wistful, laughing, mischievous Irish eyes, and her mobile lips, and her disposition half angelic, half full of fire and natural coquetry. Nolly is especially and oppressively cheerful. He is blind to the depression that marks Mona and Geoffrey for its own, and quite outdoes himself in geniality and all-round amiability. "But why?—why? Is it because you love me? Oh, Mona! If it is that! At times I have thought so, and yet again I have feared you do not love me as—as I love you.".
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